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中国画家 - 黄文诚油画作品展
乡土油画专列。中国美术家协会会员，国家一级美术师，广西北部湾油画研究院副院长，中国 – 东盟书画艺术中心副主任，展出作品23件。
画家把视角放在农耕文明的绝响和精神家园的守望。黄文诚的艺术专注于广西桂西、南、北少数民族农民的生活。因对此地民族的了解及深厚的情感而在他的画中可以描绘出细腻的温情、体恤。
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乡土油画专列。中国美术家协会会员，国家一级美术师，广西北部湾油画研究院副院长，中国 – 东盟书画艺术中心副主任，展出作品23件。
画家把视角放在农耕文明的绝响和精神家园的守望。黄文诚的艺术专注于广西桂西、南、北少数民族农民的生活。因对此地民族的了解及深厚的情感而在他的画中可以描绘出细腻的温情、体恤。
开幕仪式：2017年12月2日（星期六）下午三时正
开幕主宾：全国肾脏基金会主席 - 许宝忠先生 Mr Koh Poh Tiong - The National Kidney Foundation
专题讲座： 沈雁与新加坡艺术学院
主讲人： 邹璐（作家）
分享嘉宾： 赖瑞龙（画家）
翁锡礼（画家）
姚天佑（画家）
讲座主席： 蔡志礼博士（新加坡当代艺术研究会主席）
2014年，沈雁女士遗作百余幅用于为圣路加医院举办慈善展，获得热烈反响。为将沈雁女士的爱留在人间，家属专嘱将最后31幅画作捐赠全国肾脏基金会用于慈善筹款。承办单位宣和文物也将部分珍藏同时展出，用于慈善筹款，谨此向沈雁女士致敬。呼吁社会各界踊跃认购，共襄善举，为爱接力，为慈善尽力。
Mr. Choo has had a distinguished career in the Singapore Arts scene spanning over 20 years. Prior to his current role as the CEO of Singapore Chinese Cultural Centre (SCCC), he was the President of the Nanyang Academy of Fine Arts (NAFA) from 2003 to 2014, and served as CEO of the National Arts Council (NAC) from 1996 to 2003.
Mr Choo is formally trained in Chinese calligraphy. His love for calligraphy began at a tender age of 11, when he started by teaching himself the basic brushstrokes. He has come a long way since then, having continued his practice to hone his skill over the past 50 years, including 20 years of training under the locally renowned calligrapher, Mr Chang Sow Yam. While this is his first solo exhibition with Da Tang Fine Arts Singapore, he has previously participated in group exhibitions, and has regularly presented his calligraphy art works to close friends and family. Mr. Choo is also well-versed in and a published-writer of Chinese classical poems, producing his first collection of personal poems in 2001. Mr Choo is a unique and well-rounded calligrapher. He marries his deep knowledge in Chinese classical poems, as well as in Chinese language, history, philosophy and culture, with his masterful skill in calligraphy to produce original and meaningful calligraphy art works.
Mr Choo was educated as a horticulturist, having received his Bachelor in Horticultural Science from Lincoln College, University of Canterbury, and his Masters in Urban Forestry from Australian National University (ANU), both under Singapore’s Colombo Plan Scholarship. Prior to his career in the arts, he was with then Parks and Recreation Department (P&R), which later became the National Parks Board (NParks) for 20 years, rising to Deputy CEO before leaving in 1996.
Over the years, he has served as Chairman, President or Board Member on various cultural organizations and institutions, including the Singapore Symphony Orchestra, School of the Arts, and presided as Chief Judge of the UOB Painting of the Year for a number of years. Currently, he is the Chairman of Tote Board Arts Fund, Director of Singapore Chinese Orchestra Company Limited, Independent Director of Composers and Authors Society of Singapore Limited (COMPASS), Director of Ding Yi Music Company Ltd, Member of Singapore Press Holdings Ltd Chinese Newspaper Division Advisory Panel, Chairman of National Chinese Music Competition Advisory Committee, President of General Society for Chinese Classical Poetry (International), and Chairman of MCI’s Broadcast/Publication/Arts Appeal Committee.
Mr Choo is formally trained in Chinese calligraphy. His love for calligraphy began at a tender age of 11, when he started by teaching himself the basic brushstrokes. He has come a long way since then, having continued his practice to hone his skill over the past 50 years, including 20 years of training under the locally renowned calligrapher, Mr Chang Sow Yam. While this is his first solo exhibition with Da Tang Fine Arts Singapore, he has previously participated in group exhibitions, and has regularly presented his calligraphy art works to close friends and family. Mr. Choo is also well-versed in and a published-writer of Chinese classical poems, producing his first collection of personal poems in 2001. Mr Choo is a unique and well-rounded calligrapher. He marries his deep knowledge in Chinese classical poems, as well as in Chinese language, history, philosophy and culture, with his masterful skill in calligraphy to produce original and meaningful calligraphy art works.
Mr Choo was educated as a horticulturist, having received his Bachelor in Horticultural Science from Lincoln College, University of Canterbury, and his Masters in Urban Forestry from Australian National University (ANU), both under Singapore’s Colombo Plan Scholarship. Prior to his career in the arts, he was with then Parks and Recreation Department (P&R), which later became the National Parks Board (NParks) for 20 years, rising to Deputy CEO before leaving in 1996.
Over the years, he has served as Chairman, President or Board Member on various cultural organizations and institutions, including the Singapore Symphony Orchestra, School of the Arts, and presided as Chief Judge of the UOB Painting of the Year for a number of years. Currently, he is the Chairman of Tote Board Arts Fund, Director of Singapore Chinese Orchestra Company Limited, Independent Director of Composers and Authors Society of Singapore Limited (COMPASS), Director of Ding Yi Music Company Ltd, Member of Singapore Press Holdings Ltd Chinese Newspaper Division Advisory Panel, Chairman of National Chinese Music Competition Advisory Committee, President of General Society for Chinese Classical Poetry (International), and Chairman of MCI’s Broadcast/Publication/Arts Appeal Committee.
AU YEUNG HING YEE
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Au Yeung Hing Yee was born in Guangdong, China, in 1945. part of his Childhood was spent in Hong Kong. 1984 moved to Singapore. At the age of 10, He entered the Art College of Central Academy of Fine Arts, Beijing, China, where he studied for eleven years. Since his graduation from the Central Academy of Fine Arts in 1967, He has been Works in Fine Arts,TV, film and newspaper in Beijing Arts Academy, Hong Kong and Singapore.
A 70 years old Singapore Artist, Au Yeung Hing Yee entered Central Academy of Fine Arts, Beijing, China, at the age of 10 and studied there for 11 years. Graduated in 1967, He has been works in Fine Arts,TV, film and newspaper in Beijing Arts Academy, Hong Kong and Singapore. This exhibition showcases 70 pieces of his most recent works depicting the sceneries or portraits of Singapore, the Himalayas, Bali and Europe and myth legend on oil, Chinese ink and acrylic.
黄雄文 是一位成功的职业画家，1992年毕业于广西师范大学美术学院。主修油画，以人物、风景和动物画见长。勤奋创作一直是他的作画方式，绘画不是追随自然,而是和自然平行的工作。其作品曾多次被选参加国内外重大展出。
2000、2002、2009、2012年，2013年五次在新加坡举行个人画展。2014年九月份假吉隆坡参加马来西亚艺术博览会。许多黄雄文的油画佳作被国内外艺术团体、公司机构及个人收藏；他也曾被邀为中国多家星 级酒店设计、制作 大型 壁画。
最近他精心创作了二十幅油画作品， 有荷花系列、田野风光和桂西加榜梯田，优美写生佳作带来新加坡会友。
2000、2002、2009、2012年，2013年五次在新加坡举行个人画展。2014年九月份假吉隆坡参加马来西亚艺术博览会。许多黄雄文的油画佳作被国内外艺术团体、公司机构及个人收藏；他也曾被邀为中国多家星 级酒店设计、制作 大型 壁画。
最近他精心创作了二十幅油画作品， 有荷花系列、田野风光和桂西加榜梯田，优美写生佳作带来新加坡会友。
广西北部湾油画研究院画家 – 黄文诚
黄文诚的乡土油画系列作品近年来异军突起，在写实油画领域探求自己独特的绘画语言和艺术风格，正开辟着一片新的天地。中国乡土油画是从西方引进的油画艺术与中国文化相结合的产物。画家把视角放在农耕文明的绝响和精神家园的守望。黄文诚的艺术专注于广西桂西、南、北少数民族农民的生活。因对此地民族的了解及深厚的情感而在他的画中可以描绘出细腻的温情、体恤。这次画家特选了18幅佳作来新加坡与大家分享。
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黄文诚的乡土油画系列作品近年来异军突起，在写实油画领域探求自己独特的绘画语言和艺术风格，正开辟着一片新的天地。中国乡土油画是从西方引进的油画艺术与中国文化相结合的产物。画家把视角放在农耕文明的绝响和精神家园的守望。黄文诚的艺术专注于广西桂西、南、北少数民族农民的生活。因对此地民族的了解及深厚的情感而在他的画中可以描绘出细腻的温情、体恤。这次画家特选了18幅佳作来新加坡与大家分享。